Fears, irrational and divine spirits, take possession of people, villages, cities and even entire nations when they lose the connection to the unconscious material and ignore conflicts and outcasts. Angst vor der Angst originates from the need to face the cracks opening while sleeping, to explore the relationship between personal and collective fears and to keep open the dialogue between the every-day experience and its own dark side. On stage one actress unravels a performance made of fragments, familiar and uncanny words, images and soundscapes. A dramaturgy made of dreams, fairy tales and old wisdom, poems and children rhymes, politicians’ speeches, and academic texts highlight those personal and collective fears which threaten the balance within a peaceful and antiracist society.