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Dear friends and colleagues,

I’m thrilled to share an update on an upcoming performance!

In celebration of the album release concert, the FEEDBACKORCHESTER (FBO) will perform at the very venue where the album was recorded. To make the evening even more special, Takushi Minagawa and I will present a new vocal performance, enhanced by the unique six-second natural reverb of the Zwinglikirche.

I can’t wait to be there and catch up with many of you!

Additionally, I’m happy to share a sneak peek of another celebration on the horizon.
This year, the label Stirpe999 is celebrating its 20th anniversary!
The surprise coming out of the cake is a compilation featuring contributions from Massimo Pupillo, CindyTalk, D'Arcangelo, Death Qualia, Gabriele Rizzo, Alexa Robbio, Fire At Work, Peppe Bottiglieri, ACRARTEP, and myself among many other talented artists.

The release is scheduled for November—definitely a must-have sonic gem for your winter purchases!

 

THURSDAY 17.10.2024 20:00 CET

FEEDBACKORCHESTRA
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(support) Takushi Minagawa w/ Munsha

An event by Audiovisionen @ KulturRaum Zwingli-Kirche e.V.
Rudolfstraße 14, 10245 Berlin 

FB event / Tickets

 

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Taksuhi Minagawa and Munsha's recently musical collaboration is a dynamic fusion of voices that blends the synergy of East and West musical backgrounds, and bridges both academic solidity and empirical creativity.

Their distinctive voice registers come together to craft immersive soundscapes through a diverse range of singing techniques and complex musical approaches.
Their performances invite listeners into a space where tradition meets experimentation, exploring the full spectrum of sound and human emotion.
Together, they engage in a mesmerizing exploration that pushes the boundaries of contemporary music.


Taksuhi Minagawa is a male soprano singer, composer, and contemporary dancer.
Munsha is an experimental singer, cellist, composer, and vocal teacher.

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The Feedbackorchestra FBO was founded in Berlin in 1999 and consists of 8 electric guitarists who work exclusively with feedback. Its music is very concentrated and meditative on the one hand, yet at the same time has a very impressive physical presence, often drawing comparisons to various forces of nature by the audience.

It’s a constantly and slowly rolling stream of vibrations, frictions, and rising and falling walls of sound in which tones and harmonies constantly attract, break, and find each other again. In addition to the contemplation and quiet moments, the music is often performed at thundering volume. The orchestra is always arranged in a circle to ensure the closest possible contact between the players, while the audience can freely move around this circle to listen to the music from different positions. The pieces are primarily performed in unusual locations with unique acoustic, architectural or other features. That respective space always mixes into the freely improvised piece being performed, creating impressive moments of mutual influence. (Another feedback in itself.).

FBO now has a permanent staff of guitarists who have been making music in various bands and projects in Berlin for several decades, like Ziguri, Knochen=Girl, Midget, Golden Showers, Mutter, Schneider TM, Metabolismus, Ilse Lau, and many more. The orchestra has been performing since 1999 in special places, such as cathedrals, ruins, barns, and water reservoirs.
With the release of their 1st vinyl album via Edition Telemark / MWM in the fall of 2024, the FBO is now swiftly entering its second quarter of a century, as determined as ever.

Looking forward to seeing us around; stay tuned, stay fool and spread the word. 


Sonorously yours, Munsha.

munsha / spreeagenten / @munsha_33

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